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I read kids books is what I do. It's just me, reading kids books and writing my thoughts. I have a Master of Education in Children's Literature, so in my years of studying children’s literature, formally and informally, I’ve found that children’s literature is essential to the personal and academic development of all children because it is a window that not only opens, but also reflects the diversity of our human experience. More importantly, it lets young readers know that children like them are worthy of being in books. If you have any questions, comments, observations, or if you just want to say hello, send me an email.
Moses: When Harriet Tubman Led Her People by Carole Boston Weatherford depicts Harriet Tubman’s initial escape from slavery and her mission to lead others to freedom as divinely inspired, achieved by steadfast faith and prayer. Carole Boston Weatherford frames the text in the book as an ongoing dialogue between Harriet Tubman and God. If this visually strunning book inspires you to know more about this courageous woman, Harriet Tubman: The Road to Freedom by Catherine Clinton is an excellent supplement. The long overdue Harriet Tubman: The Road to Freedom chronicles Harriet Tubman’s escape to Philadelphia and her experiences of being the first and only woman, fugitive slave, and black woman to work as a conductor on the Underground Railroad.
Gorilla by Anthony Browne is a great picture book because of the simple and unadorned relationship between words and images. In fact, if you look closely, Gorilla is as straightforward as it gets - the illustrations show the reader exactly what the words tell us. Many pictures, on the other hand, are rich in detail and significance, and embellish this narrative framework, taking us into the main character’s home and her psyche. However, more than this straightforward relationship between text and images, Gorilla perfectly illustrates that every mark matters. You can spend days looking at the movement of every line, both consciously or unconsciously made.
Sweet Whispers, Brother Rush by Virgina Hamilton is not your typical ghost story. Rather, it is a novel preoccupied with the impact the past has on our lives, especially past hurts involved in our personal histories. However, Sweet Whispers, Brother Rush doesn’t stop there. The novel allows us to contemplate the challenge of our personal growth as it relates to others. Sweet Whispers, Brother Rush suggests that the past must be dealt with, integrated, in fact, suggesting it is the only was toward healing. Quite simply, unless we are willing to visit our past, our future will be one of shrinking horizons.
Kitten’s First Full Moon is a book by Kevin Henkes that won the 2005 Caldecott Medal. This award-winning is about a small kitten who has never seen the moon before - mistaking it for milk and bringing about a number of mishaps for this adorable Kitten, including eating a bug and drinking lots of water.
I don’t want to sound presumptuous, but I think it’s safe to say that most of us are pretty familiar with Walt Disney’s synergized version of The Little Mermaid as opposed to Hans Christian Andersen’s original version. I also think that most will agree that Walt Disney’s version is a corporate appropriation of the original - which Walt Disney film isn’t, right? In any case, both merit discussion since they inadvertently find themselves at opposite ends of the spectrum. I’m not going to go into detail about each version, you’ll have to do the leg work on that one yourselves. However, if you’ve seen Walt Disney’s The Little Mermaid, then you’re half way there. I will say that as a scholar I feel a respsonsibility to introduce Hans Christian Andersen’s original version of The Little Mermaid. As an educator, I feel quite the opposite. For example, I think Hans Christian Andersen’s version should wait on deck, so to speak, until children are old enough to understand and as a result, appreciate the complexity of the original version.
Violet, Klaus, and Sunny Baudelaire are three children who have been unexpectedly orphaned after a terrible fire has killed their parents and destroyed the only home they’ve ever known. Without much choice in the matter, all three are sent to live with Count Olaf, who is supposedly a relative but whom the children have never met. I don’t know about you, but something definitely sounds fishy about this whole arrangement! As A Series of Unfortunate Events: The Bad Beginning begins to slowly unfold, it turns out, their instincts are correct — Count Olaf doesn’t have good intentions whatsoever. He only wants the three Baudelaires for one reason and one reason only. He is determined to get his hands on the substantial Baudelaire fortune, no matter the cost.
What child hasn’t been lulled to sleep or at least comforted by the gentle rhymes of Margaret Wise Brown’s classic Goodnight Moon? There is no doubt that Goodnight Moon has been an important part of so mnay of us and there certainly is absolutely no doubt that it will continue to delight and comfort generations to come.
I recently read Goodnight Moon after a long period of time. Maybe it’s the place I’m in at the current moment in my life at the moment or maybe it’s that quite simply, I’m just older and more experienced, or maybe it’s just some other unknown reason, or no reason at all, but I noticed something peculiarly different when I read Goodnight Moon recently. After I closed the book, I began to wonder and question at what point do we lose the consciousness, the awareness that we are all somehow, someway connected to everyone and everything? Interesting thought indeed.
After pondering this further, I concluded that trying to figure out when we’ve lost sight of that consciousness is really not that important. What really is important is being in touch with that consciousness. Goodnight Moon is an excellent reminder of that consciousness.
The House of the Scorpion by Nancy Farmer is science fiction at its best. It is a novel set in some future in an area that used to be the southwestern United States, but now is an independent region called Opium, ruled by drug lords, cocaine producers and smugglers. Needless to say, the future in this book is dystopic, chaotic, and violent. It’s a lawless place where the only order comes from the iron-fisted control these drug lords can exercise over the people who live in their lands. We soon learn that, in this future, humans have mastered human cloning technology and that the main character, Matteo, is a clone. One of the more interesting aspects of The House of the Scorpion is the fundamental questions that surround Matteo. Are clones fully human? Nancy Farmer isn’t predicting that the American Southwest will become an independent drug lord-controlled country. Nor is she predicting human cloning - though the technology to produce human clones more or less exists today. She is using the setting of the future to gain some distance from the present, in order to comment on it. I think The House of the Scorpion by Nancy Farmer is at the forefront of exploring, through literature, what it means to be human.